Exhibition

Historias detrás de las 100 Caras Urbanas:
¿Por qué Amy Winehouse?

Coincidencia o sincronicidad. Cuando Amy Winehouse murió, yo tenía programado realizar su cara esa misma semana. Yo estaba haciendo las 100 Caras Urbanas para una exhibición de grupo en la que participaría ese mismo año.
Atamayka-100 Urban faces - Oh Amy!

Mientras trabajaba su rostro en la arcilla, no podía dejar de pensar con tristeza en una vida tan llena de talento. La belleza de la naturaleza humana viene también dotada de una terrible tendencia hacia la auto-destrucción. En un punto dije «oh Amy!» y es así como surgió su nombre.

Luego ese mismo año, justo antes de la inauguración de la exposición, fue ella la primera de las caras de esta serie que se vendió. Tres minutos después, mientras iba a colocar el punto rojo en la obra vendida, otro coleccionista manifestó su deseo de comprarla.

Me sentí muy emocionada y agradecida, pero a la vez sorprendida, y debo admitir que me desilusionó un poco. ¿Por qué Amy? No la consideraba como la cara que mas conmueve. ¿Y las caras de gente normal? Pero bueno, todo esto se me olvidó en cuanto otras caras encontraron un nuevo hogar. La exhibición fue todo un éxito.

Es que la gente y sus expresiones me conmueven profundamente. La belleza de la gente en su día a día es poesía para mi.

Pero no se trata ni trató nunca de mi.
Como artista y ser humano, estás confrontado siempre con lo que tienes en tu mente y aquello que es percibido por otros.
Para mi esto es interesante y abre-ojos.
Tal parece que todos nos sentimos atraídos por el polvo estelar

Atamayka- 100 Urban Faces - Woody AllenY hablando de polvo de estrellas… Woody Allen está aún disponible

Más información acerca de las coincidencias y las esculturas de pared de la serie 100 Caras Urbanas.

+ (Nota: Las 100 Caras Urbanas están disponibles. Para obtener detalles, por favor toma contacto conmigo a través de art@atamayka.com) +

Merken

Merken

Art trilogy exhibition

I had the honor to particpate in a show, called «ART Trilogie», with fellow artists Franz Bode, Erika Breitenlechner and Waltraud Sieb. Our art-trilogy was composed of acrylic paintings from Erika Breitenlechner, driftwood objects from Waltraud Sieb and Franz Bode as well as my 100 Urban Faces. It was a wonderful and enrichening experience and I thank all who came by and gave us their support.

Journalist Veronika Spielbichler wrote an article about the exhibition which is also full of great images (click on them for bigger views).

The English translation of the article is as follows:

A worthwhile goal for artistic exploration

Text and photography by Veronika Spielbichler

Three artists – three different approaches and materials – were brought together for the exhibition «Art Trilogy» from the 25th to the 27th of November 2011 in the Sparkassensaal Wörgl.

Franz Bode, former chairman of the Art Association ARTirol and still deeply connected to the local creative scene (pictured right), worked as a «hobby-curator» and presented the fascinating and unique ceramic works called «100 Urban Faces «of the Venezuelan born architect (editor note: Atamayka studied architecture but she’s not an architect) and graphic designer Atamayka, the «Color Tone» from the studio of Erika Breitenlechner and the imaginative «Findlinge» (The Found – Driftwood) from Waltraud Sieb (from left). Wörgl’s Cultural Officer, Johannes Puchleitner (left), presented the works to the audience.


«100 Urban Faces «– These ceramic faces were formed by Atamayka, including Amy Winehouse (3rd picture from left).

Driftwood and its course through the river inspired Waltraud Sieb‘s objects, Erika Breitenlechner created large-scale color artworks with different mediums. The sound was delivered at the opening by the MTC-clarinet trio.

Wörgl’s Cultural Officer, Johannes Puchleitner, gave the opening speech and presented the three artists. Atamayka has lived in Wörgl for 12 years (editor note: Atamayka has lived in several cities of Tirol, including Wörgl) and was encouraged by Franz Bode to make her first show which generated immediate and great attention. Her pieces and the way she works is not found to be comparable.

«Atamayka’s work was a discovery game. She scribbled lines on paper, connecting them to turn them into faces and then transfer them to clay. The plasticity of clay breathes life into the faces and creates emotions,» explained Puchleitner. But the artistic process for Atamayka is not finished with the show. Eagerly pursuing how the viewer reacts, she takes these reactions and uses them as a starting point for further creative work. Puchleitner: «Atamayka sees herself as a translator for the restlessness of her soul.»

«For Erika Breitenlechner it was possible to quickly develop a remarkable style in painting,» Puchleitner praised the works of the Wörgl painter who’s now living in Oberau as she has developed her own language of color. The wooden objects, beautifully made by Waltraud Sieb, formed the third part of this remarkable ART – trilogy.

That working together was a delight, not only for the artists, but also for the exhibition organizer, was hinted by Franz Bode: «It was from the first to the last minute fun with you!» Also visitors were locked to the exhibition by means of humor, an «Orc» by a fire pit in front of the Sparkasse aroused the curiosity of passers-by.
More pictures from the opening here in the gallery